Shaka Buku Artist Story
"Shaka Buku (pronounced Shocka Bookoo) Sound familiar? Dubbed "Music for the masses" by Reggae Reviews.com this band delivers a crowd shakin mix of Reggae, Rock, Funk, Jazz & Hip Hop. Anchored by the highly energetic and distinctive voice of singer/songwriter Chad Nellis and bass player Pancho Tomaselli from the band WAR, Shaka Buku is a masterpiece of musical adventure.
Based in San Diego, California, Shaka Buku takes their stage moniker from a Japanese Buddhists term. The name loosely translates to the goal of their music: "To remove suffering and bring happiness to all people by awakening them to their inherent greatness." While such a lofty goal might prove daunting to most, Shaka Buku attacks it with a single-minded fervor on tracks like "Heart of a Buddha" with its universal message and uplifting chorus. Transcending barriers of genre and style with their "Reggae Rock Hop" sound on tracks like "Sunday Sunday Monday", Shaka Buku is able to break through the very obstacles that divide people and unify them with lyrical threads of empowerment, love, groove and harmony. This unification and empowerment of people through music and message is the mission of Shaka Buku.
Shaka’s eclectic musical style is directly influenced by the simplicity and social consciousness of Bob Marley, the funk and groove of Stevie Wonder and the power and edge of Led Zeppelin. This power, edge and funk can be heard on tracks like "I’m Alive", influenced by Shaka’s love for the outdoors, dancing and the adrenaline of high octane sports. The deepest message however, is about inner transformation, manifesting our endless potential and making our dreams come true.
With 2 independantly released CD's on Empower Records and a third due out in November Shaka Buku has sold over 5,000 CDs for good reason -They awaken the sleeping giant inside us all and it feels good.
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The
Early Years
Chad Nellis
(a.k.a. Shaka Buku) was born an identical twin and raised in Denver
Colorado for the first 12 years of his life. He grew up in a competitive
family environment where athletics garnered highest praise and pushed
him to constantly succeed. Athletics provided an unfailing outlet for
self-expression and freedom in his youth. There were the sports staples
such as baseball, football, basketball, and soccer, but skiing was his
greatest passion. Whether mocking down a mountain at light speed, carving
fresh powder or launching himself airborne until gravity was defied,
adrenaline was the key to freedom. He and his brother were naturally
gifted athletes and this gift coupled with being a twin, provided plenty
of controversy, attention and popularity which he never sought nor cared
for. Not the typical jocks, Shaka and his brother socialized on both
sides of the fence, both popular and unpopular and gained a reputation
for defending the physically weak and socially disadvantaged. Schoolyard
tales of the twins taking down the bully of the school were infamous.
Schoolwork on the other hand, was a different story for Shaka. Good
grades were hard to come by and he had to study twice as hard as some
to make the good grades. Failing was not an option though and the value
of discipline and hard work instilled by his parents became one of his
most valued assets that would carry him through many trials as a child,
teen and later as an adult. Musically, the early years were spent at
Skate City roller rink getting down to the bump and grind of Disco.
The beat of dance rhythms would eventually play a large role influencing
the music of Shaka Buku.
After 13
years Shaka packed up and moved to Southern California with his family.
This was a completely different type of culture, new and fresh. The
ocean and palm trees would replace mountains and streams, mohawks and
buzzcuts would replace bob cuts and surf and skateboards would replace
skis. He would spend a year in Malibu then the next 5 in rich kid paradise
-Beverly Hills. Being raised middle class in an upper class city was
motivating and frustrating at the same time as most kids received brand
new Beamers (BMW's) for their 16th Birthdays and he would settle for
what he could afford from his summer jobs- a moped then a motorcycle.
High School in BH was a playground of new and different experimental
lifestyles with cutting edge fashion, drugs, music and other trends.
Socially it rivaled anything he had ever experienced. He quickly took
a liking to this new lifestyle and the colorful people of California.
Athletically it was weekend ski trips to Mammoth, and during school
it was Football primarily. The adrenaline pumping rhythms of bands like
Van Halen and Led Zeppelin would fuel the fire of rock in the heart
of Shaka and provide inspiration for athletic performance. This was
of course supplemented with a strong dose of the bumpin grooves of the
time like The Gap Band, Stevie Wonder and Michael Jackson. Shaka was
a frequent visitor of nightclubs and loved to dance any chance he could
get. Last but not least Reggae, which was a magic bullet shot into his
heart. His high school girlfriend introduced him to BOB Marley and Steel
Pulse and the door to his heart was open.Top
College
years
Upon graduation
of high school Shaka left BH to attend San Diego State University and
pursue his dream of being a professional football player. College was
like camp for grownups -no parents to tell you what to do and parties
24-7 and chicks everywhere. What more could a walking hormone want.
In his second year of college he was to receive his first major blow
in life. First, while in football practice jumping up to catch a pass
over the middle he was met mid air by a 260 pound Somoan linebacker.
The crack from the collision rang across campus and would end any hopes
of a career in football. The diagnosis was broken sternal clavicular
joint. For months he would struggle to lift his arms above his own head
or even to tie a shoelace. The second blow came shortly thereafter when
his high school sweetheart gave him some devastating news as she would
be leaving to England for school and decided they should part ways.
Devastated
from a broken dream and a broken heart, his twin suggested a time-tested
remedy of meditation by chanting Nam-Myoho-Renge-Kyo, roughly translated
as: devotion to the mystic or wonderful law of cause and effect through
sound. Although his brother and mother introduced him to this practice
of Nichiren Daishonin's Buddhism a couple years prior, he really had
no appreciation for it until now. This would be the first real attempt
at surmounting an obstacle through a spiritual practice, rather than
just dumbing, or numbing the pain with drugs, TV, or food. This was
a new concept to Shaka which enabled him to see his faults and strengths
and move on to conquer them, but the growth was to be stalled as he
was not mature enough and lacked the appreciation for spirituality.
Being a student
at SDSU with an undergraduate population of 40,000 was daunting and
lonely if one didn't connect with some sort of organization or brotherhood
so he joined the Lambda Chi Alpha fraternity. The music and dancing
had come back to Shaka's life. The brothers would frequently call him
Denny Tario from the show "Dance Fever" as he could cut the
rug (dance) up a storm at the endless parties. The new goal to replace
the dream of professional sports would become money, as much money as
possible and he undertook many business ventures in his pursuit. Still
unresolved about abandoning athletic dreams he took a day trip to a
local Mt where he aired one too many helicopters on a maxed out binding
setting and tore his MCL, ACL, and medial meniscus cartilage. He would
spend the next 6 months on crutches and be forced to reconsider his
dreams once again.
Shaka was
then hired out of college to run an information service business in
LA where he finished his college degree at night school. LA opened the
doors to opportunity to parlay money made from one venture to another
from buying and selling anything from sports cars to sports cards. Eventually
this would end up in the buying and selling of stocks where Shaka flourished.
Newfound wealth and the superficial entertainment industry of LA had
worn on Shaka and he decided to follow a childhood dream of living in
a Ski resort in Colorado. Shortly thereafter while at the Vail ski resort
he happened to meet a mountain photographer who was making a snowboard
film. At this point he had switched to snowboarding from skiing as it
provided less pain on the old nagging injury from college. The light
went on in his head as he had grown up watching Warren Miller films
and this was an opportunity to follow in those footsteps. He would end
up becoming the executive producer and finance the film as well as help
put together the soundtrack.
Room &
Board Productions was born and Vail Colorado became his residence for
the filming and editing of "Blindside," a snowboard video,
over the next year. The film was released by Action Sports Videos in
Ca and garnered much respect for a rookie film. As the music director
Shaka tapped some BH alumni at Delicious Vinyl records as well as the
staff at Epitaph Records and began to expand his own musical taste from
bands like the Brand New Heavies, Jamiroquois and the Offspring.
Soon Shaka
got bored with Vail and its transient population and moved to Aspen
to start a real estate development and run the Room & Board Productions.
Money was flowing from prior stock investments, life was grand and he
bought a 3-story condo in the heart of Aspen and was living the so-called
"good life." Aspen was the next level of college camp for
adults. Paradise in the mountains with year round adrenaline producing
activities like snowboarding, skiing, hiking, biking, rafting, hang
gliding, and a night life that rivals most big cities. This could only
last so long as self-indulgement is a limited pursuit. Soon both the
snowboard films and the real estate development came to an abrupt halt
due to political reasons from partners. Top
The Music
In 1995 with
no real occupation other than snowboarding and hanging out with friends
in Aspen, Shaka decided to make a few visits back to LA. One weekend
while visiting long time friend Chance Boyer, a happy go lucky surfer/actor/musician
in San Clemente Ca, he heard his friend play the acoustic guitar and
asked how to play it. After learning a couple chords the light went
on again. This time it was different, it ignited a fire deep inside
the heart of Shaka; so deep that from that day on he vowed to devote
his life to music and become a professional musician. He had found what
had touched him most it was obvious.
He packed
up and moved back to LA to begin a musical education by taking private
guitar and voice lessons weekly. This was to be the most difficult time
of his life so far, as LA was a far cry from the paradise he had left
behind in Aspen and this new endeavor proved to be more of a challenge
than anticipated. To suck at something like singing which he had virtually
no clue how to do or playing guitar was mentally depressing his spirit.
The mental stress then translated into a constant battle with physical
illness in the form of colds and flues. Top
The Opening
of the Eyes
This period
of illness culminated in a three-day bout with vomiting and landed him
in the hospital with the doctors unable to provide any explanation for
his illness. He had hit rock bottom physically, mentally, and spiritually.
This would provide the first opportunity to begin chipping away at his
most fundamental negative tendency of arrogance which prevented the
learning he so dearly needed in order to truly become happy and succeed
in life. At this time with no explanation to his illness, his twin brother,
probably the only person he respected in life that he would consider
taking advice from, suggested the time tested remedy of meditation through
chanting Nam-myoho-renge-kyo again. He had pretty much abandoned the
practice after his last encounter with hardship in school but placed
his faith in his most trusted brother and began chanting. Immediately
he felt the power of his life surging forth. The courage the compassion,
the wisdom; it was all there all the time, he just had no means by which
to tap into it. (See Dream Tools..click here)
Little by
little he realized that this illness had a profound meaning, as it would
awake him to a greater truth in life. He began to ask the big questions
in life: what is the purpose of life and what is my mission. The purpose
of life was to become absolutely happy. How to do this was not by living
a self serving life or just about acquiring things. He had done this
for years. He was rich, good looking, and smart and treated himself
well, but these never brought him lasting happiness. What he now experienced
was an overwhelming desire to help others become happy and live their
dreams by sharing this empowering truth he had discovered. This could
now be accomplished through a profound life changing philosophy and
would be conveyed through music and many one on one dialogue with the
people of the world. "The measure of ones greatness is reflected
in how people around you grow and develop," now how many things
you've acquired. The things you acquire are all just temporary. The
lives you change are treasures that last forever.
With this
new awakening, Shaka began to transform his situation and begin his
own Human Revolution. This was not a revolution against anyone but himself.
A revolt against his negative tendencies to be arrogant and not listen
to others, to slander or criticize others, and his constant comparison
with others. After about two years of studying guitar and voice he began
writing songs. After studying the masters who influenced him most he
began to define his own style. The masters were Bob Marley, Steel Pulse,
Stevie Wonder, and Led Zeppelin, primarily. He always had a diverse
collection of influences. There was Reggae which was would strike the
deepest spiritual chord in his heart, then R&B-Funk-Hip-Hop which
represented the roots of dance and freedom from his childhood, and finally
the rock which provided the edge and power which were very much part
of the masculine side of Shaka.
Writing songs
was not an easy task. It was frustrating as he had very high expectations
of himself. But with the new philosophy in hand there would be no obstacle
that couldn't be overcome. He realized that everyone that ever became
great in music was once a beginner and made some less than appealing
recordings- everyone. He had to come up with a name for his band. The
name Shaka Buku came from Shakubuku a Japanese phrase, which means to
correct another's false views and awaken that person to the truth of
Buddhism. This literal interpretation could be easily misinterpreted
and cast as discriminatory so he decided to make an entirely new version
of the word with the same intent yet a broader scope in its definition
so all people could understand and relate to it. The new phrase Shaka
Buku was created and given the definition was "to remove suffering
and bring happiness to all people by empowering and awakening people
to their inherent greatness." Top
Good Vibrations
The next
three years would be spent recording, and performing songs from his
first album Good Vibrations, which was completed in 2000. Shaka assembled
a cast of musicians from LA to record and support him. Two would remain
throughout this period: Jason Young, a happy-go-lucky Canadian guitar
player with the nickname bacon and Francis DiCosmo an eccentric Italian
bass player with the nick name skip jack -he had a tendency to play
extra notes. Both were very talented and would make significant contributions
to Good Vibrations. The album and any support for it ceased and desisted
after the record release party at which Shaka Buku performed to a packed
house at "The Gig" in Santa Monica Ca. There were 12 people
on stage: two female backup singers, trumpet, trombone, sax, bass, guitar,
two drummers, percussionist, keyboards, and Shaka. He paid all the performers
for rehearsals for about 6 weeks and paid them for the gig. It was a
sloppy performance, financially a loosing proposition, and he personally
didn't feel connected to the music anymore. This left a bad taste in
Shaka's mouth and he stepped away for a couple months to reflect.
After a halfhearted
attempt to market the album and not much success he began to write again.
The growth was apparent but still not enough. After about a year he
had written another four songs and presented this as a demo to some
record industry people. The songs were: Home, She loves me, Getting
Loose and Face it. The response was fair from the so called "industry
pros," but when played for the actual people the response was overwhelming
encouraging. He realized that who you give your music to matters. You
will not be able to please everyone. So he decided to start performing
live again, but this time instead of playing some random club to inattentive
audiences he would play for his local Community Center and charity events
with people who would appreciate the effort and be inspired. He assembled
a new band comprised solely of fellow Buddhist members.
Fortune had
once more appeared as a roadblock when a live performance led one of
the band members to abandon Shaka because he didn't think he could sing
well enough. About the same time a good friend and Producer, Geza X,
had given him feedback on his demo instructing him to find a voice coach
and dig a little deeper when singing. This caused his ego a great deal
of pain as he had poured 6 years of his life into this so far with no
real success to show for. But the success was inconspicuous as his character
and his foundation were being constructed day by day. He once again
sought guidance from his brother who encouraged him to understand this
as a benefit. This was an opportunity to deepen his faith in himself
and become a great human being. He challenged him to make more causes
to help people and chant even more to manifest his wisdom and courage.
For the next two years Shaka would study from master vocalist Joel Ewing
three days a week and begin writing new album.
By accepting
his circumstance as his own making and acknowledging the need for more
growth the door then swung wide open to some of the greatest young musicians
in LA which would aid Shaka in his mission. He met Sebastian Mortan
a keyboard player at his older brothers wedding who introduced him to
Poncho Tomaselli an extraordinary human being and multitalented bass
and guitar player. This was a warm day, as the first day they met was
like reuniting with a brother from a previous life. They shared a chemistry
that went beyond music to the depths of brotherhood. Poncho would be
the key vehicle by which Shaka would express his next album Reggae-Rock-Hop.
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